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25.03.2011 Kaizers Orchestra (Stollwerck, Köln)

Saturday, March 26th, 2011

Waaah! And now the tour is REALLY getting started! Yesterday was great, but today was SO SO SO much greater! =:-) Well, I wanted to keep it short, but I know that won’t work with this concert…

The venue was packed – not quite sold out probably, but almost. I was surprised how wrong memories can be… I remembered the Stollwerck to be huge, but no, it definitely isn’t. Nice and cozy! And as I mentioned: packed with people… more precisely with Kaizer fans who were HOT for the concert.

So it was no surprise that the atmosphere was just awesome right from the start. Already after the first song, there was a (Norwegian) discussion on stage: “Are they all here to see US?!” – “Fantastic!”

As always, they started with the gypsy part, and the audience went crazy. By the time they played Resistansen, the Jackal was up on the barrel, directing the audience and the band by turns – and both sides looked up to him, hung on his lips and did everything he told them to. Sheer madness! But the beginning of Katastrofen is actually quite mean; Omen plays the beginning of Bak et halleluja on the organ, until the Jackal starts singing Katastrofen… =;-) And they played Djevelens Orkester again, yeah!

The Violeta part started out a bit more quietly, because the songs aren’t known that well in Germany yet, obviously. But it didn’t matter at all – I noticed again the enormous amount of energy that especially the Jackal puts into the songs. Philemon Arthur and Femtakt filosofi – wow, the guy LIVES these songs. And the audience was absolutely fascinated.

The one of the (many) highlights of the concert: En for orgelet, en for meg! I love the song, and it seems to be THE song of Violeta that is best-known in Germany. When it was clear which song would follow, there were cheers of joy from the audience. And it was absolutely crazy to see the audience during the song, just amazing! =:-D The Jackal had us sing along in German: “Eins für das Orgel, eins für mich!” Not quite right, but that makes it even more likable… *lol*

They played Diamand til kull again, which got a nice reception,and as I had expected, Psycho under min hatt was a wild pogo song. And then the Jackal tried to come up with the German translation for the song title “Svarte katter & flosshatter”. “Black cats and… uh?” Of course the audience could help him out! He just had to jump on the barrier and hold out his microphone to a girl in the front to get the translation: “Flusspferd!” Which means hippopotamus. Not QUITE the same, but close enough… *rofl* I don’t know if that was a joke or a guess…. but hey, “Black cats and hippopotami” is a great song title as well, right? =:-D

Then they played Hjerteknuser, which they had left out yesterday. A short break for questions from the audience (“Can I fuck you?” – “Yes, Jürgen, of course you can, right after the concert! And after that, we’ll take care of the rest of you… And by the way, this was the LAST question…” *lol*), and then it was time for the hits part of the concert. And this time this was 100% true – even though I gotta admit that I normally feel that the best part of the concert is over after the Violeta songs (Because I have seen and heard the remaining songs a few times *cough* before); this time, everything went up a few extra notches and the remainder of the concert was just awesome! The audience went completely crazy, people were jumping around, dancing pogo, surfing the crowd, and singing along – not matter what you sing, just do it! Sheer madness. Did I say that before? Whatever: sheer madness!

So the result was two encores – first KGB and Dieter Meyers, and then Bak et halleluja (I guess I don’t have to mention that the audience went crazy during that song, right? *g*). And while the audience kept on singing, the Jackal started tap dancing. The rest of the band stood around him, clapping and cheering him on… until they started to get enough of it and dragged him off stage. *lol*

The complete setlist: Intro, Delikatessen, Djevelens orkester, Veterans klage, Katastrofen, Sigøynerblod, Resistansen, Philemon Arthur & The Dung, Femtakt filosofi, Din kjole lukter bensin mor, En for orgelet en for meg, Diamand til kull, Psycho under min hatt, Svarte katter & flosshatter, Hjerteknuser, Ompa til du dør, Bøn fra helvete, Kontroll på kontinentet, Maestro. First encore KGB and Dieter Meyers Inst., second encore Bak et halleluja.

All in all, the concert was almost exactly two hours long – and my first sentence after the show as: “Better than Folken!” And yes, it was. Completely different, of course, but all in all: better. =:-D

And the lesson of the night: If the front man is fighting tears on stage, the audience did EVERYTHING right!

24.03.2011 Kaizers Orchestra (Rockhal, Esch/Alzette)

Friday, March 25th, 2011
24.03.2011 – Photos Kaizers Orchestra (Rockhall, Esch/Alzette)

And here it goes again! (Great – now I have Zombie Porkchop’s “History” in my head… *argh*) Kaizers made it down to Europe after the “warm up gigs” in Scandinavia. First stop: Luxembourg! Which means the tour started terribly confusing: German, English, Norwegian, Luxemburgish, French, and Portuguese (’cause I had to buy a ticket for a Portuguese band playing at Rockhal *g*) – all in one day. Argh!!

But wait, I wanted to keep my reports short, so let’s get started. Unfortunately, Rockhal was pretty empty – not much of a surprise, of course, because it was the first Kaizers Orchestra concert in Luxembourg, but a pity. On the other hand, that not too bad for the first concert of a tour, because like this, Kaizers can test their show in front of a “neutral” audience to see the reaction to the different songs.

The concert started with the local support band The Disliked, who played ska punk. Great, I liked it a lot! But very confusing language-wise… the band itself didn’t know whether to talk English, French, or Luxemburgish. *g* Next up was Jarle Bernhoft. I didn’t know him at all… and my conclusion after seeing him for the first time: Seems to work fine as support act. He uses loops to “imitate” a band, which is really fascinating. However, it’s definitely not my music; and I fear that the loop-thingy won’t be fascinating for more than a few times. But the “common” Kaizer fan won’t be seeing all concerts, so I’m not really representative here. =;-)

The setlist: Intro (“Begravelsespolka” according to drmowinckel.com), Delikatessen, Veterans klage, Sigøynerblod, Resistansen, Philemon Arthur & The Dung, Femtakt filosofi, Din kjole lukter bensin mor, En for orgelet en for meg, Psycho under min hatt, Svarte katter & flosshatter, Bøn fra helvete, Kontroll på kontinentet, Maestro, encore Dieter Meyers Inst.

So that means that a couple of great songs didn’t make it… =:-( I’m not surprised about Hjerteknuser, and I don’t really mind that one either. =;-) But I REALLY hope that Djevelens orkester, Señor Torpedo, and Diamand til kull will make it back on the list at least once in a while!

Some remarks about the concert:

  • In the beginning, the Jackal greeted the audience in French. (I’m still waiting for a concert where he speaks _only_ French. That would be cool! *lol*)
  • The day was very nice and sunny, and they had time to enjoy it, because they had arrived the day before already. “And back home in Norway, it’s snowing!”
  • At the beginning of “Din kjole lukter bensin, mor”, the Jackal and Hellraizer are singing together. So the Jackal ordered Hellraizer to the mic and explained that Hellraizer was very very nervous. “Just don’t forget the lyrics now!” Hellraizer: “Do you think they would even notice?” =;-)
  • In “Svarte katter & flosshatter”, Omen has his 5 minutes of fame when he grabs the megaphone. And boy, was he cheered! Of course he combed back his hair dramatically afterwards, before the song continued. And after the song, he started cleaning up, and dropped the crowbar in front of Killmaster’s feet. *g*
  • The Jackal and Hellraizer also sing together in “Bøn fra helvete”. The Jackal let go of the microphone this time, so that it was swinging back and forth on its stand. And of course the two of them had to swing back and forth as well in order to sing into the mic. *lol*
  • During the introduction in “Kontroll på kontinentet”, we first got a looooong bass solo. First a normal solo, then played with a stick. Afterwards, the Jackal introduced Killmaster: “… always playing on… an electric guitar!” What, were did the Firebird go? =;-) And because of all the confusion, Killmaster’s name is Gary now. *cough* But then we can call the real Gary by his Indian name now: “He who wears a towel over his head and gives out picks willingly.” (I’m NOT gonna tell you what I understood instead of “picks” at first. *rofl*) And I’ve never seen that before, but both guitar players were throwing lots of picks into the audience this time.
  • During Maestro, the audience was singing along much louder than I would have expected, and almost everyone seemed to know the song. I have to admit though that the spontaneous new “clapping/stomping choreography” in the middle went over my head, so I couldn’t keep up. *argh*
  • The encore was dedicated to Matthieu, who was enjoying the whole concert enthusiastically and managed to ask for Dieter Meyer just when Kaizers were getting ready to play… Dieter Meyer. *g*

So, all in all this was a typical “first” concert in a new city, which means the expectations were rather low. But like (almost) always, Kaizers managed to get the audience excited and totally convince them. And even though the plan was probably more to concentrate on the music this time, they put on quite a bit of a show, and it was really entertaining!

Uhm ja. “Short”. I fear I’ll have to practice that a bit. Tune in again tomorrow to read the next episode of “Susi S. tries to report about a Kaizers concert in ten short lines!” *lol*

12.02.2011 Kaizers Orchestra (Folken, Stavanger)

Sunday, February 13th, 2011
12.02.2011 – Fotos Kaizers Orchestra (Folken, Stavanger)

A great and sunny day in Stavanger (hey, why that, where was the rain that the weather report had promised? *lol*), a signing session with a terribly long queue (but you HAD to get in line to enter Platekompaniet at all, right? *g*), then Jarle Klepp in the cinema (terrific!); and as a great conclusion to the day the second Kaizers concert at Folken! =:-)

The place was just as crowded as yesterday, and the audience seemed to be even louder this time! Of course, there wasn’t so much of surprise moment and “what will happen next???” today, so I could concentrate on the details a little more. And of course enjoy the new songs!

The setlist was almost identical to yesterday’s list, with two exceptions: KGB wasn’t played in the main set, but instead as first song of the encores (instead of Enden av november, which wasn’t played at all). And as last encore, they played Sju bøtter tårer er nok, Beatrice this time, instead of 170! And they announced it as a song they’d never played live before… Well, not on this tour, that’s right. =;-)

I already described the show yesterday, so today I’ll report a bit about the setting (and I’ll try to mention all the talk that I forgot to write about yesterday *g*). And how to start with that? Well, of course: with the Jackal’s hair style! *lol* Not short, not long, gray, in the beginning held up with a lot of hair spray in a terribly looking way. Okay, so then we covered that part now. =;-)

There’s not a lot to report about the first part: One song after the other, not much talk in between, just perfect to get the audience warmed up! Of course there was the typical “You are singing great! But well, it’s a Saturday, so of course you are a great audience!” And yes, as mentioned before, the audience was great and loud, and so we had to sing the whole verse in Resistansen (and lateron in Hjerteknuser as well, and I think also in other songs).

Just like yesterday, Kaizers announced they would hold their concert “nachspiel” at Egersund, which is probably THE new hip location in Stavanger. Even though the audience reaction suggested that it’s probably not that “hip” for everybody… *g*

At the beginning of the second part, during the start of Philemon Arthur, the audience went absolutely crazy again. Pure madness, really! And I _think_ the Jackal wiping his eyes just then wasn’t really a coincidence… which fits nicely in with Hellraizer’s statement yesterday that he had a bit of a lump in his throat at that point of the first concert… More than understandably, this audience reaction MUST be absolutely overwhelming!

By the way, the counting in Din kjole lukter bensin, mor actually isn’t THAT easy as you would imagine. At least if you don’t watch the Jackal closely… if you don’t, you might shout “four” at the totally wrong place. Ooops. =;-) Something I forgot to mention yesterday was how amazing the singing of the audience at the end of the song is! The Jackal didn’t even need to start it, the audience just started singing “Det lukter bensin…” on their own. =:-) And the only way to stop it was by starting the next song, namely En for orgelet. Wow, soooo nice! =:-D

And of course I paid attention to the whistling this time. The solution: Killmaster is standing at a… uh… thing (looks like an old tube radio) and regulates (I assume?) the backing accompaniment, which means the whistling, the beer flutes, and probably some of the rhythm as well. While Hellraizer is rapping and the Jackal is running around with the bass drum. By the way, he advises everyone to get their own bass drum, that’s just a whole lot of fun! *gg*

Before Svarte katter they explained that they had used a lot of time in the studio for this song. Which normally means that the result is either really great or rather mediocre… in their case, it means great, of course!

Kaizers’ first radio hit – which turned them from a no-hit-wonder into a one-hit-wonder! – had to be celebrated of course. So the Jackal decided to “hop in” Hjerteknuser – of course from the barrel!

And then it was already time for the “normal” part of the concert, where they also started talking a bit more. Which was partly due to the fact that the Jackal broke his microphone stand and had to get it repaired a few times. I just love how he looks when things don’t go as planned and for example, he suddenly holds not only his microphone, but also part of the stand… =;-)

Anyway, so we got to know the story about how they found Helge! They were looking for someone who could play the pump organ, and they were told that there is a guy out in Flesland who plays an old pump organ, wearing a suit and a gas mask. So they asked him to join, and he agreed. *lol* The only possible response to that was – of course – some “Helge” shouting, right?

And the Jackal continued to praise the band. During Killmaster’s solo in Kontroll på kontinentet, the Jackal stood behind him and animated the audience to shout and clap even louder and louder. But then, Killmaster was cut off again after his introduction with the advice to “start you own band then”. Well, maybe he’ll think about that! *lol* By the way, they are doing the introduction again because the fans want it: Just like yesterday, the Jackal asked whether he should introduce the band to us; they didn’t do it on the last tour, because the fans didn’t want it, but now? The audience clearly wanted it! So we got it. And afterwards we got to know how important the introduction is. Otherwise the only one who “shines” is the Jackal, and the rest of the band should get a bit of the fun as well, right? They just had a meeting about that a few days ago… *gg*

Just before the end, a round of thanksgiving: Thanks to the orchestra, to the crew, the club, the fans, … “Did we forget anyone? I remember there were ten things we wanted to mention…” But no, they really mean it, that wasn’t irony at all! *g* And Hellraizer made sure we’d all get home safely by mentioning that it might be slippery outside. *g*

Before they played Dieter Meyer, the Jackal explained that they would almost always play this song, because it is so great. Huh? (Ehm, “huh” because of the “always play”, not because of the “great”, of course!) But sometimes they are just sick of it… but of course not on the second day of the tour!

As mentioned before, the last encore was Sju bøtter tårer – a much better conclusion song than 170 in my opinion, because it is both quiet/atmospheric and fast and danceable.

And that was it… Well, so I guess I’ll look forward to five weeks of tour depression now – until the European tour finally starts! And until then, I’ll feed from a wonderful weekend which was pretty much perfect. Kaizers are and will always be the best band of the world… (yes, I’m allowed to write that, pff!)

11.02.2011 Kaizers Orchestra, Folken

Saturday, February 12th, 2011

I will never believe anything this band says again. Well, actually, I’ve always been quite skeptical about their statements (I mean, didn’t they say a few months ago that “sure, the new album will contain official translations into German and English”? *g*). But I did believe them when they said the show would be ALL new, TOTALLY different from before. They said it all the time, so there must be something about it!

And yes – the show IS different. And great! Did I say “great”? Of course I mean absolutely awesometerrificfabulousfantasticwithcreamontop! =:-D I love this band, no matter how much hot air they blow. *gg*

So the show is different, but not that totally and “never before seen” kind of different as they claimed before. So, here’s a spoiler warning for you – if you don’t want to know the differences between the “old” and the current show, don’t read on. But actually, I don’t think you’d loose anything by reading on – ’cause the concerts are a whole lot of fun in any case!

The stage looks just as it used to, except for Thunder’s foot organ (which he played by hand though, at least as far as I could see?). And the microphone cord isn’t red anymore, but I think it hasn’t been for a while anyway. *g* As backdrop, they used the Violeta-carriage-logo. At least in the beginning – and now we finally get to the differences!

The concert was made up of three “acts”. The 1st act was dedicated to gypsy music. Then, the Violeta logo in the back disappeared and revealed a white movie screen. The 2nd act presented the new album – almost completely even! And then for the 3rd act, the old, round gas mask Kaizers logo appeared again, and they continued with a wild mixture of rock songs.

But back to the start again. The intro was some piano plink-plonk, which is probably part of the album as well in some form. Hmm, I didn’t think that really worked; plus, it just wasn’t loud enough (or the audience was too loud *g*), so that you couldn’t clap along (or really hear it – I wouldn’t swear that it was a piano…). Then the band went on and played a gypsy-style intro, let’s just call it “Ho ho ho”, ’cause that was the only thing they were singing. *g* The Jackal joined them, and then they started right into the gypsy music with Katastrofen. I wasn’t really sure how to interpret the fact that the Jackal seemed groggy and out of breath during the first song already – hey, how’s he gonna do the rest of the concert?! But I guess that was just because of the song (Katastrofen IS really strenuous…), probably paired with excitement and tension, and starting with the second song, everything was like it’s supposed to be.

And we got our share of gypsy: Delikatessen, Djevelens Orkester, Senor Torpedo, Sigøynerblod, and Restistansen! Uh – waaaah?! Didn’t they say a while ago that they would NEVER ever play Djevelens Orkester again, and now it seems it’s got a fast place in the set again? And Mr. Torpedo? *gasp* Yay! I know for sure already that I will be able to listen to this part over and over and over again, I will still love it. ‘Cause yes, I still like Resistansen. Even after hearing it more than a hundred times… =:-)

Then it was time for act II – and the NEW concert. The video screen (canvas, not digital) was used in a really nice and impressive way, showing different animations, all related to the Violeta story. Together with the way of singing this created a real “show”. It had a slight impression of a musical, and in a way, it was even more intense than usual! Which probably was also, in a large way, due to the fact that the Jackal gave all he had under the singing; often it didn’t seem like it was “the Jackal” on stage, but Beatrice, Violeta, or Kenneth. Just… awesome! Sorry, I lack the words to say it any differently…

Part two started with Philemon Arthur & The Dung – of course. And the audience went _completely_ crazy! The atmosphere was great before that, but then it went up a few more notches, and they sang along EVERY word. Next up was Femtakt filosofi, which has been played live before, and then Din kjole lukter bensin, mor. This one worked out just great as well, with Jackal and Hellraizer singing together in the beginning. And the audience took over the counting in the end, of course directed by the Jackal. Worked like a charm!

And then the song that turned into my favorite at once: En for orgelet, en for meg. Honestly: I have no clue if/how they did the whistling in the beginning. I just didn’t pay attention to it – I was busy celebrating. *g* But they solved the “problem” with the Violeta rap part in the middle the best possible way, by having… Hellraizer do it. *rofl* And he did it perfectly! I guess I would have stood there admiring that part – if I hadn’t been rolling on the floor laughing, that is, uhem. *lol* And if that wasn’t enough for that song, they took it up another notch at the end, when the Jackal took a big marching bass drum (which actually was a concert bass drum if I saw it correctly, but… does anybody care? No? I figured… *g*) and climbed the oil barrel with it. Yes. You read correctly. And of course the drumming started once he was up there. Madness? Madness!

Then the next song would be the new radio single (and my secret favorite on the album – call me mainstream-girl… *g*): Diamant til kull. Waah, so nice! That of course could only be topped with Psycho under min hatt, right? =:-D

Well, and then they had obviously played all songs of the new album that could be played live… or so you’d think. ‘Cause then they actually played Svarte katter og flosshatter! It works without the Bond-brass in the beginning, and after the intro, Omen picked up a megaphone and screamed the first lines. And of course he did the same again later on… before he put down the megaphone, found a comb, dipped it into his (beer?-)glass, combed his hair in theatrical fashion and plunged the comb back into the glass. Uh, yeah. Psycho under min gas mask? *gg*

Finally, they played Hjerteknuser, of course, and the audience was singing along at the top of their lungs. Hach, concerts in Norway are just amazing! =:-D

And then it was time for act 3! So now, the “normal” Kaizers concert was about to start. First up was Ompa til du dør, followed by Bøn fra helvete and KGB. So everything “like it used to be” – and still: I hadn’t seen it for a year, and even though I didn’t really know I missed it, I obviously did. It was soooo great to get to see this again now, finally!

Not surprisingly, the next song was Kontroll på kontinentet. And now we reach the point were I decided that “I will never believe anything this band says”: They actually used the old band introduction, word by word the same as it used to be! The only exception was when the Jackal presented Thunder’s new hat. But even Hellraizer’s towel (and of course the fountain) was back. Don’t get me wrong: I LOVE this introduction, and if I were to decide, they could do this without changing anything for the next decades. And Kontroll without the introduction just feels weird anyway. But if they talk for months about how DIFFERENT the new show will be and that they will do EVERYTHING in a new way, then they just can’t dig up the ancient introduction again?! That they never even buried anyway… No, sorry, I just don’t get it. But then, I’ll just stop believing them and enjoy the old introduction. =:-)

On a side-note: After Killmaster was introduced, he didn’t want to leave the spotlight – as we’ve seen before. Comment by the Jackal: “Well, if you want to play more guitar, you should maybe found your own band.” *rofl*

Slowly but steadily the concert was coming to an end. The last song was Maestro, but yes, of course there were encores! Namely Enden av November and Dieter Meyers Inst (yay!). Before the last one, Kaizers started talking about how they have only great songs and no bad ones… well, okay, maybe Til depotet would qualify as not soooo great. Basically, if you sort all songs by quality, there might actually be a Postgirobygget song between Til depotet and all the rest of the Kaizers songs… Self-confident? Hell yeah!

And that was it – some bowing and good-bye, but of course the audience didn’t want to go home yet, so they had to play a final encore: 170. I gotta admit that I don’t really like the song, but then: It just works perfectly well as concluding song.

And that was really the end. An euphoric audience found their way downstairs, stormed the merch stand, and whoever did not get away in time found herself in front of a local TV camera…

Next concert: tomorrow! And the Kaizers fever is back in full strength… =:-)

19.11.2010 Kaizers Orchestra (Plaza, Zürich)

Saturday, November 20th, 2010

The new Kaizer album “Violeta, Violeta Vol. I” will be released on January 31 – and of course it must be advertised beforehand! So Janove and Øyvind set their sails towards Europe and did a short promo tour. First stops were Berlin, Copenhagen, and Vienna, and the fans reported enthusiastically about how great these shows (and the new songs!) were. And not only the fans had a great time, but the two Kaizers also reported excitedly about for example the “talk show” in Vienna – which was filmed, so it might (hopefully) be available online some time soon.

Now Zurich was the last city on the promo tour schedule. Unfortunately the circumstances were a bit different for this show. In Zurich, it hadn’t been possible to set up a promo event just for Kaizers, like in the other cities. Instead, the two played as opening act for the opening act for Paul Smith, who usually is the singer of Maximo Park. Accordingly, the preparations for the performance were quite chaotic: The stage was full, the pickups didn’t work, the sound was lousy. But eventually, everything was set, so the only thing missing was an audience… But there was nothing to fear there, because – time for a little side story – before Kaizers were announced as support for this concert, 50 tickets had been sold in advance. Afterwards, the number went up to 200… It’s left to you to decide whether there might be a connection or not. =;-)

The hall didn’t get crowded, but it filled up quite okay – probably not with Kaizer fans though. I spotted maybe one or two that were there clearly because of Kaizers… not more. But that didn’t do any harm! The rest of the audience gave the pre-opening act a chance and seemed interested and eager to see what they would present. Of course there was hardly any interaction – the two presented their songs and promoted the album, no more, no less! They started with the amazing new song “Psycho under min hatt”, before Janove started to explain who they are and what they want. “This is Kaizers Orchestra! Not the full orchestra though. But the core and the heart of the band!” He he, don’t let the others hear that. =;-) The next songs were “Din kjole lukter bensin, mor” and “Femtakt filosofi”, before they finished with an old song (“Who has seen Kaizers before?”) , namely “Di grind”.

That was all already – the songs worked perfectly well with piano, bass and vocals, they gave a great foretaste of the album, and why does it actually take two more months until the album will be out?!? Overall, the performance was quite “down-to-earth”, as was to expect. But it was awesome! =:-D And by the way, you can watch it here: part 1, part 2!

But the promo work wasn’t done after the gig – right after the concert, the two did an interview, and I was allowed to be fly on the wall. And afterwards, I got to ask my own “leftover” questions that hadn’t been answered by the interview (which were just about all of them since the interview was pretty much the standard “would you introduce yourself to our readers/listeners” stuff)!

Actually, this was a bit improvised, I hadn’t really planned to do an interview. So that’s why you won’t get a nice typed-out dialogue now, but simply the interesting new facts. All from memory. =;-)

Let’s start off with a quote from the real interview. Question: “What can the fans of the ‘old’ Kaizers Orchestra expect now?” Well, very simple: Øyvind got a new hat, and the pump organ player now has hair! (I really hope that I kept my composure at this point and my jaw didn’t drop. ‘Cause I did wonder about Helge’s thin hair in the Hjerteknuser video – but actually about him going bold. NOT about him having hair at all. *uhem* Damn, how many times have I seen this band?!? *lol*) Later on, Janove told that this was just the beginning, and they only have five studio albums up to now – so it seems we still got a lot to look forward to! “And we don’t get older”, Janove joked.

We already got to hear and read quite a lot about the trilogy itself, so I didn’t ask about it again. But since Kaizers are taking on Europe again now – “trying to build it up again from scratch, with new people”- how do they expect that the Europeans respond to the trilogy? Because unlike the Scandinavians, most Europeans (except for the hardcore fans of course) won’t notice that the songs are related. Janove agreed – for the Europeans, the album is “just” a normal rock’n’roll album. And with the concept of the trilogy, they mainly want people in Europe to be… impressed! =;-)

The first song that was written for the trilogy was “Din kjole lukter bensin, mor”. The first lyrics, however (the first seven or eight songs were already composed, but they didn’t have lyrics yet) was “Sju bøtter tårer er nok, Beatrice”. Quite interesting considering that this song was also one of the first of the trilogy that were made public!

What was the hardest part in the studio, or what took the most effort? Nothing was really hard, the two agreed. “It was the best studio session we’ve had. Everything was prepared, and it was so easy.” The most difficult thing for Øyvind was probably that the recordings took place in Bergen, where he lives – and that he therefore had to get up at 6 a.m. every morning, even though the work didn’t start before eleven. But seriously: As always, the songs were recorded live, and often the first or second take was fantastic, so they could use it. For some songs it was more difficult, however, and there simply was no “fantastic” take – and Øyvind explained that they know by experience that if this “fantastic” version doesn’t appear in the first five or six takes, it will never come.

Kaizers were certain that the most difficult song to record would be “Philemon Arthur & The Dung”. Actually, the song is very simple, but it got a little “twist”, a little hard arrangement that makes the song quite special – and complicated, Jan Ove explained. Accordingly, they had scheduled more time for this song than for others. And the result: The first attempt was great, and it took five minutes to record the song! But they could use the extra time for “Sju bøtter tårer er nok, Beatrice” – that song seemed very simple, but in the end, it took forever to record it…

As Kaizers mentioned in several interviews, you can imagine the 30 songs of the trilogy as scenes of a movie, or maybe an opera. However, they are not in order but present little bits and pieces of the story. So, if you look at all songs together, will this give the complete story? Not quite, the two said. But they will provide a “context” for each song, which explains what it is about.

A somehow special song of the album is “En for orgelet, en for meg”, because there will be three different versions of the song: one with guest rapper Prinz Pi for Germany, Austria, and Switzerland, one with Blaxtar for the Netherlands, Belgium, and Luxembourg, and finally Timbuktu for Sweden and probably Norway. When they selected the rappers, Kaizers didn’t look for people who were famous. For example Prinz Pi: Kaizers asked for a “good guy” whose vibe would fit the “Kaizers vibe”. The people they work with recommended Prinz Pi, who is also in the same category as Kaizers and fills venues of about the same size; so they selected him.

Next up was a short Norwegian lesson for me: The song takes on the current Norwegian youth culture, with a little irony and humor, of course. The original “guest rap” part is done by a fourteen-year-old Norwegian girl, and the words that she uses (like “liksom” and “og sånn”) are veeeery representative of the way the youth talks, Janove explained. And in addition, the content is very naive, assuming that you could simply pack your bags and leave and learn how to turn water into wine – “and such…” He started rapping the rhymes right away to explain what he was talking about, and then he wanted to know how one could express that in German. “Nicht wahr?” But I guess Prinz Pi knows much more about the way the kids talk nowadays than I do, so I’m REALLY looking forward to hear the German version!

Of course I also wanted to know how the current plans for the tour look like. The countries are the same as on the last tours – maybe, if it actually works out, they might be able to add in a first visit to Italy (and of course an off day there as well *g*) this time. But this isn’t confirmed yet, so it might not happen at all. Overall and roughly speaking, Kaizers will tour one week in Denmark, then one in Sweden, and finally two and a half weeks in Europe. Norway will also get some concerts, of course, but that will be announced separately. As support they will take along Jarle Bernhoft. “He’s incredibly musical and delivers a great one-man show.” Sounds great! And not very surprisingly, Kaizers Orchestra will play festivals in summer as well. There’s no names yet (as it’s either not set where they will play or it cannot be announced yet), but as always, there will be festivals all over Europe.

One last question: What will be the difference between the “normal” Violeta, Violeta Vol. I and the limited edition? Will there really be more songs for those who visited the studio tour – like people were guessing? No, according to Janove. “The limited edition will be a deluxe version of the album, with better artwork and layout. It will feel even better! I guess it’s best to describe it with a metaphor: If you drink a good wine, you can drink it from a milk glass. Or you can drink it from a crystal glass! The content is the same, but it does make a huge difference… Yes, that’s a good metaphor for this. From now on, we’ll always explain it like this when somebody asks us about it!”

Great, so all my questioning resulted in something useful in the end! *g* I hope I quoted everything correctly – sometimes it would be smarter to record instead of take notes, I guess… *cough*

A huge Thank You to Kaizers for all this information, for patiently bearing my questioning, for the wonderful gig (that definitely made me want MORE again), and overall – for the great evening! And okay… how long is it until late January now…? =:-)

11.02.2010 Kaizers Orchestra (Sentrum Scene, Oslo)

Friday, February 12th, 2010

Well, and already it’s all over again… =:-( Two shows of a tour is really way too little – while on the other hand, it is amazing to see how much less stressfull it is, and cheaper as well, of course. And I think I picked the right two concerts! =:-D ... read on!

10.02.2010 Kaizers Orchestra (Folken, Stavanger)

Thursday, February 11th, 2010

Hmm … Somehow, Kaizers have been doing lots of things lateley that I didn’t expect at all. For example this “studio tour” with exactly four shows to cover the album costs (and not more than four shows, because the four are sufficient, even though they could have easily filled Folken twice). Or the fact that they suddenly announced playing at EuroSonic festival (does that mean they are targeting Europe again? *startingrumors*). Or that they have posted new (and in my opinion still somehow immature) songs on their website the last few weeks, so that the audience at the studio tour has a chance to listen to them beforehand. Or that they, on the day of the first concert, feed information to the media that they will not only publish ONE album in 2011, but THREE – sorry by the way that I didn’t manage to pass that information on earlier (and that I don’t really have the time to translate anything right now), but hey, at the time the news came out, I was stuck at Copenhagen Airport without internet… *gg* ... read on!

05.09.2009 Kaizers Orchestra (Verket Festival, Mo i Rana)

Monday, September 7th, 2009

Of course I couldn’t keep myself from checking the remaining tour dates after my last Kaizers concert at Månefestivalen after all… And it didn’t take long until I found the perfect date! Especially as it was the last concert for this year (and who knows for how long…). OK, maybe I shouldn’t have based my decision on the date only, but also considered where in Norway the concert would take place? =;-) ... read on!

04/05.09.2009 Preview Verket-Festival (Mo i Rana)

Monday, August 24th, 2009

July 2009. I just returned from my vacation in Norway – including an absolutely amazing concert of Kaizers Orchestra at Månefestivalen in Fredrikstad. And coming back home from vacation is always bad – especially, if you don’t have another vacation planned, no concert trip, nothing. Just work to look forward to…

This and the fact that I assume Kaizers will take another break now made me think – there must be some other festival show I can see this summer, right? So I checked the dates. Almost all shows were in the next two, three weeks. Hrmpf. I mean, I have a great job and can take days off whenever I like most of the time. But then, I DO have to work once in a while inbetween my trips. And I can’t come home from vacation and go back to Norway the next week, that feels stupid.

I checked the dates again. Hmm, this Verket festival at the beginning of September? That would be the perfect time. I can allow myself another weekend trip then, can’t I? And most probably it’s gonna be the last show before the break, another reason to go there. I thought I remembered that I had considered this show before but dismissed the thought before it could really settle. Why was that? And by the way, where in Norway is Mo i Rana?

A few minutes and a short visit to Google Maps later the memory of why I had dismissed the thought was back, and somehow the date didn’t seem quite that perfect anymore…

But hey, I don’t call myself Konzertjunkie for nothing! There’s trains to Bodø, right? So it’s gonna be affordable. Hey, and they can’t take much more than… uh, 16 hours from Oslo. *cough* OK, maybe flying is a better alternative. Hey, and not even that expensive!

To cut it short: Three days later I had found a pretty good flight connection that would get me to Bodø Friday afternoon and back to Germany by Monday afternoon. And even affordable! AND: I had convinced a friend to come along! 🙂 (Well, if you can call “Festival? Kaizers? YES of course, I’m almost done booking, when was that again???” convincing… *lol*)

So, now I’m going up to Mo i Rana to see Kaizers play at Verketfestival. And because you can’t travel that far just to see one band, I’m going to Bodø Friday, gonna meet my friend there, we’ll hire a car to go down to Mo i Rana, might catch (hopefully!) a bit of the festival on Friday night already, have a nice day visiting the area on Saturday, a GREAT evening with even better music and concerts, and then we’ll have the whole Sunday to drive back to Bodø and see a bit of Nordlandet. Jippie, I am SO looking forward!

Oh, but this was actually supposed to be about the festival a bit here as well… 😉
So, Verket will take place for the first time this year, so it’s gonna be really interesting. In general, I have the feeling that (especially small) festivals in Norway are organized much better than in Germany. But then, for the first time? We’ll see how that works out. It won’t be perfect, probably, but then it is gonna be small, which is something that I love. 🙂
And the program got a lot to offer: On Friday, it’s gonna be Katzenjammer (who we will miss, most probably :(), Marit Larsen, CC Cowboys, and Paperboys. And on Saturday I guess I’ll just HAVE to check out Alexander Rybak, then Hjaltalin from Iceland will be there (I saw them at Slottsfjell and liked them pretty good), and as headliners The September When and Kaizers. What else could you wish for? 🙂

So, I can’t wait! I have to admit though that it does feel a bit strange to go up to the arctic circle for a festival just because Kaizers play there – especially now, since it’s been confirmed that they will play a free festival close to Oslo the same weekend – but hey, we are gonna have so much more fun up there! *g*

04-05.09.2009 Verket (Mo i Rana, Norway)

Monday, September 7th, 2009
04-05.09.2009 – Photos Verket (Mo i Rana, Norway)

Time for the last Kaizers Orchestra concert of the summer! It took place at Verket festival, a new festival, arranged for the first time, in Mo i Rana in Norway. When I checked the line-up, it wasn’t hard to decide that this was a good festival to go to: Kaizers Orchestra, Katzenjammer, The September When, CC Cowboys, Alexander Rybak, and some more. OK, Mo i Rana isn’t really the most practical place to go to for me, I admit that – but then, it was plain out crazy to travel up to the arctic circle just for a festival. And crazy is good, so I was on my way…

Eight hours and three flights later I was in Bodø, where I met up with a friend and got into the car to drive three and a half hours south to Mo i Rana. On a very tight schedule – we wanted to catch Katzenjammer, who played way too early, namely about three and a half hours after I landed in Bodø… That didn’t leave us much time. On the drive, I got my first glimpse of Nordlandet (ok, I’ve been up north before, but still, it was impressive!), crossed the arctic circle (from north to south, duh…), and learned new words like “råkjøre”. Uhem. But hey, we made it just in time!

We arrived at the festival about ten minutes before Katzenjammer were supposed to start, and as they were a few minutes late, we had enough time to get in and look around a bit. Perfect! And even though it was raining quite badly at that time and the ground was wet and muddy already, I liked the festival area. Lots of space, clearly arranged, and a perfect slope down towards the stage where you could see very well. And as a background, high above the stage, some factory buildings of the industry park, which gave the festival its name.

The only thing missing was: people. This was really bad during the Katzenjammer concert – it looked like there was hardly anyone there! A few people scattered in front of the stage, but that was it, and I already had the feeling that this might be the first and last time the festival took place…

But then, it was pouring, and it was early the first day. It turned out that this really was nothing to worry about! By the evening, the area was crowded, and even more so the next day. Probably not sold out, but lots of people that were clearly enjoying themselves. And the area could take that amount of people, so you didn’t feel like it was so crowded that you couldn’t move, or that you would have to stand in line forever to get a drink. Perfect! And all in all, the festival was very well organized. I never had to wait in line anywhere, and even though the voluntary helpers couldn’t answer all questions, everybody was very friendly and helpful. And I had the feeling that especially the securities knew exactly what they were doing, and this is something that is a) very important and b) not that common, especially at Norwegian festivals. But yeah, that’s the way it’s gotta be, so two thumbs up for Verket!

But back to the concerts. Katzenjammer started about 10 minutes late, and this was actually the case throughout the festival – all bands started a bit late. But it wasn’t too bad, so no reason to complain. And well, there’s not much I can write about Katzenjammer: Go and see them NOW! This band is just amazing, and everybody in the (way too small…) audience was enjoying themselves. Great! You hardly noticed the rain, at least not until the concert stopped and you suddenly noticed that you were soaked wet and started to get cold as soon as you stopped dancing…

So we left the festival for a bit – even though we noticed that there were actually TWO stages, the big main stage and a very small one that was obviously only used in the afternoon for the unknown bands. The one that played right after Katzenjammer, Diskotek, sounded very good, but we had to leave to check in at our hotel and get something to eat. Oh, and to dry up a bit…

Luckily, the rain had mostly stopped when we returned to the festival in the evening. It took us quite a while to walk out there from the town – it would have been a good idea to mark it a bit clearer on the website where the festival would actually take place and where the entry was, that would have made it easier for non-locals to find an accommodation close to the festival. Not everybody knows where Revelneset is… But with a bit of asking and walking in the wrong direction a few times, we made it back to the festival in time to catch a few songs of Marit Larsen‘s concert.

I have to admit that I didn’t know her at all, even though I’m German… But I liked what I heared! It’s not really my kind of music, but it was performed perfectly, and it was an impressive concert. After that, it was time for CC Cowboys. I only knew that they were supposed to be great live – apart from that, I had never heard anything from them. So I didn’t know a single song. Oh, and I didn’t know how they looked, otherwise I would have known right away who was that band that was on my plane from Oslo. 😉 It was a bit sad that I didn’t know any of the songs – but I promise, next time I am in Norway (and in a town with a record store), I’ll get a CD. That was a great concert! I liked the music a lot, there was something to see, and the people in the audience were having fun. Just the way it’s gotta be!

The last band of the night was Paperboys, and as I’m not into hip hop at all and we both were terribly tired, we went home after thirty minutes or so. Especially as it seemed like Paperboys were still playing their first song. 😉

We spent the next day relaxing and checking out Mo i Rana – a much bigger place than we thought, but still pretty small. But nice, no question about it! Then I wanted to go back to the festival to see Alexander Rybak. Not really my music either, but one of the few Norwegians that are actually known in Germany, so you can’t miss out on him! My friend warned my that there would probably be lots of “small kids” there – well, okay, what are you gonna expect if you have a young cute man who got famous through the Grand Prix? Of course there would be lots of teenagers in the front, screaming their lungs out!

Uhm. When we arrived at the festival, I understood what she had meant with “small kids”. Namely: small kids! Six-year-olds, maybe up to ten years, and okay, there were a few teenagers as well. But mostly <10... And yes, I totally agree that he deserves "better" - not that there was anything bad about playing for kids, but his music is really good and would appeal to an older audience as well. So maybe he should have been placed twice in the program, once in the afternoon and once in the evening, and not only in the kids' part... a bit sad. After this concert, everybody was sent out of the festival area. Until then, there was no age limit, but for the evening concerts, only people older than 18 were allowed. And of course, the only way to do that was to send everybody out. But there were two problems with that: First, Alexander Rybak did a signing session just inside of the entrance, so it was almost impossible to get out – and understandably, a lot of kids didn’t WANT to go out before they got their autograph. And second, once everybody was kicked out, they went home…

So the result was that when Hjaltalin played, nobody was there… They started much later than planned, but in the beginning, there were maybe three, four people in front of the stage. Including us two… It got a bit better then, but it was still ridiculous. Really sad. The concert was nice, but I have to admit that I liked them much better at Slottsfjell where they also played a few songs in Icelandic. And that’s much more interesting than English. Plus, it was freezing cold, so we went back to the hotel afterwards to warm up.

After we got something to eat and dressed up WARM, we were on the way back to Verket. Now it was time for the highlight: Kaizers Orchestra, of course! We had decided that we wanted to be in the front, and so we had to be there early. We arrived just when Jarle Bernhoft was playing his last song. The next band up was Ghost:Dog, and we just had time to grab some drinks and find a nice spot in the second row, with the hope of making it to the first. When I started out to take a picture of the stage, I noticed that I had forgotten my memory card in the camera back at the hotel… so that’s why there’s no pictures of the bands that played Saturday night. Sorry for that, my bad.

But then it was time for Ghost:Dog! I never heard of them, I had no clue what to expect, but it was a very nice concert! I was a bit distracted by watching the first row, though, but hey, you have to be prepared! *g* And yep, right after Ghost:Dog went off, we made it to the front. Yippieh! Time for another round of drinks, and then we were waiting for The September When.

I had seen them at Slottsfjell as well, but I hardly remembered any songs. That’s a bad sign… so no, I didn’t really like them. It was an okay concert, no question about it – and in the middle of the show, they introduced a “guest singer” on stage: Janove Ottesen! That was pretty cool of course, and he sang most of the song. But the song still was rather boring… Well, just not my kind of music, I guess.

And then it was time for the BIG THING! Kaizers Orchestra came on, they delivered a great show, they brought out Morten Abel as guest, and it was really really crowded and “pushy” in the front. But it was great fun! You can read all about it here.

Yep, and that was it! Suddenly, Verket was over… way too soon, there could have been a third day… All in all, it was really a great festival, especially if you consider that it took place for the first time. The organization was great, the area was great, and the weather was… way too cold. But well, that’s Northern Norway in September, not much of a surprise.

The next day we spent traveling back to Bodø and stopping everywhere along the road. And everything was closed… 🙁 At least the way to Svartisen, a glacier, and the grottos. So please, next time, have Verket a week earlier (everything closed on August 31st… *sigh*), so that people traveling to the area get to see something as well!

But still, we had a great trip back to Bodø. We crossed the arctic circle again, this time in the “right” direction. Of course, I had to balance on the arctic circle, and I learned that its purpose is actually to hold the northern lights in so that they don’t get to the south, and that north of the arctic circle, rainbows appear upside-down. And a few more useful things as well. *g* We even managed to go by Saltstraumen and were impressed – guess we accidentally caught just the right time where it was strongest.

So all in all, a fantastic weekend! Thanks to Lena for the great company, see you next time! 😀

An my Konzertjunkie festival rating ;): Verket is a great festival, well-organized and obviously with a good hand for booking the right bands. Currently it seems like a fairly local festival though. There were almost only Norwegian bands in the line-up (something that I personally like a lot, so I don’t think this should be changed), so maybe it is aimed at locals only. And as it seems to work – why not? To draw people from abroad, there would have to be better ways to get to Mo i Rana (but well, there’s not so much you can do there, I guess ;)), and it would need to be a bit earlier in the year. That way, it might attract some tourists. But I assume that the festival is aimed at a local audience, and this is perfectly fine. It is a great festival, and I hope it will exist for a while!